My artistic practice aims to bridge traditional and contemporary methods, creating a dialogue that resonates both personally and culturally. My engagement with traditional printmaking techniques forms the foundational element of my work. Simultaneously, my work in experimental printmaking and expanded practices represents my commitment to innovation and exploration. A recurring theme in my work is the use of archival and found footage. This is not merely a technical choice but a deliberate conceptual decision. These materials reflect eras and connect viewers with historical moments in an immediate and relevant way. By utilising archival and found footage alongside contemporary prints, I weave together past and present, offering viewers a chance to engage with history in a contemporary setting. This approach is particularly poignant in our digital age, where the accessibility of archival materials can breathe new life into forgotten narratives. My recent work explores the concept of time within the boxing ring, drawing inspiration from Joyce Carol Oates' writings on the temporal dimensions of boxing. This theme manifests in various ways, such as capturing the intensity of rounds and the physical deterioration of the boxer over time, while also exploring the timeless allure of the sport itself. "The Count" delves into the nuances of boxing through an artistic lens, producing works that convey the adrenaline-fuelled moments of the bout, the historical legacy of Irish fighters, and the rhythmic cadence of movement within the ring. Oates' insights have helped me capture these fleeting, intense moments in my art, revealing boxing's profound beauty and complexity.
