Where does an idea come from? What makes it valid, relatable, and interesting? My practice revolves around these questions, challenging conventions and reimagining personal stories. Learning to ride a bike without training wheels with my brother was pivotal. I turned the discarded wheels into a makeshift car, sparking a fascination with repurposing materials. This obsession led to studying fine art at NCAD, graduating in printmaking in 2018, and working construction. Born in New York, I moved to Ireland at five, straddling two cultures. Growing up in Sligo with a unique accent instilled a sense of otherness, prompting questions about identity and culture. My work explores the shifting landscape of Irish identity, examining its evolution through fashion, trades, and living environments. By remixing old Irish materials and concepts, I present a modern perspective on "Irishness."I create performance-activated sculptures, dormant until engaged by the artist or viewer. This interplay of potential and kinetic energy embodies my desire for artwork to be usable and convey a message. My process starts with personal issues, comparing old and modern ways of living, revealing differences absurdly, and provoking thought. I aim to democratize art through viewer interaction, challenging norms and inspiring curiosity about identity and society