My practice explores the intersection between traditional craft and fine art. I'm interested in intertwining traditional textile practices, digital media, and material interruptions. An important concept in my practice is the entangling of self and other, body and world, looking at textiles and material as an extension of the body, a kind of 'living cloth'. Textile practices like crochet and weaving function for me as that extension, as a knotted back and forth, an arrhythmic flow between the body and the world. The act is a constant assemblage invoking the material, the maternal and the mortal body. So far my practice has worked to abstract and unfold these recurring themes through deconstructed and manipulated crochet forms.
