Research into theoretical principles across the fields of art, science and aesthetics imbue Nuala O’Donovan’s work, writes Mark Ewart
While this year’s graduates are very diverse in theme and approach, they reflect close engagement with ideas of embodiment, writes Niamh NicGhabhann
Mark Ewart finds that the weight of art history and the lineage of landscape painting is never far away in Bridget Flannery’s work
Tom Climent’s recent paintings appear to edge more and more away from pure abstraction, writes Mark Ewart
This year’s graduates demonstrate acuity and sensitivity when grappling with the complexities and instabilities of the contemporary, writes Sarah Kelleher
The strictures of this strange period have galvanised an inventive, even joyous resourcefulness, writes Sarah Kelleher