Seán Kissane finds in Richard Malone’s work a challenge to the idea that cultural authority belongs primarily to museums
Kenneth McConkey explores the use of archways in mise-en-scène works by artist William Orpen
Aidan Dunne considers the interdisciplinary work in Maïa Nunes’ recent exhibition
Ann Wilson examines Kitty O’Brien’s Crossing the Bar, a composition in stained glass that functions as a metaphor for hope
Peter Pearson narrates the long history of Malahide Castle and Demesne, which celebrates half a century of public access this year
Peter Murray views work by Eltiqa, a collective of Palestinian artists attempting to achieve a cultural autonomy free from ‘toxic philanthropy’
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