Niamh NicGhabhann Coleman finds that the work of this year’s graduates reflects a turn towards ideas of work, as well as the complexity of human relationships
Tom Duffy looks at the work of Rose Barton, who transformed the ordinary by incorporating ‘the picturesque’ into her Dublin and London streetscapes
John P O’Sullivan visits the studio and home of artist Brian Bourke in the West of Ireland
Philip McEvansoneya considers how the Trench Collection of Tibetan art in the National Museum of Ireland was acquired by the collector, and the museum, and asks if it’s time this ethnographic display was made more accessible to the public
In conversation with Aidan Dunne, Irish-German artist Thomas Brezing recounts a peripatetic early life and a present one still open to change
Angela Griffith considers the hand-coloured prints of the Cuala Press and how that organisation helped create a ‘modern tradition’ for Irish women artists
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