Sculptor Eilis O’Connell uses digital technology to show her work in an experimental and groundbreaking way, writes Jennifer Gof
Sculptor Eilis O’Connell uses digital technology to show her work in an experimental and groundbreaking way, writes Jennifer Goff
In this fast-changing modern world, museums and art galleries are visually adapting their exhibitions for the public through the ingenious use of digital technology. Virtual reality offers a totally immersive experience into a different world, whereas augmented reality (AR) shows an altered version of the world. Undoubtedly during Covid-19, this novel and brave approach allows an artist’s work to be easily available to the public through a downloadable app.
To read this article in full, subscribe or buy this edition of the Irish Arts Review
In this fast-changing modern world, museums and art galleries are visually adapting their exhibitions for the public through the ingenious use of digital technology. Virtual reality offers a totally immersive experience into a different world, whereas augmented reality (AR) shows an altered version of the world. Undoubtedly during Covid-19, this novel and brave approach allows an artist’s work to be easily available to the public through a downloadable app.
The collection of 19th century stereo negatives of the Gap Girls of Dunloe in Kerry comprise a rare and unique body of work, writes Julian Campbell
