Photography’s power to influence our perception of the natural world and its fragility has been gaining impact with the rise in awareness of climate change.
Touring Ireland over the past six months, ‘The Reason of Towns’ celebrates the design qualities of Irish towns and aims to motivate people to choose them as a place to live.
The winner of the 2024 RDS Taylor Art Award, given to the most promising emerging visual artist of the year in Ireland and worth €10,000, is Sorcha Browning.
Artist Alice Maher has been shortlisted for the prestigious Drawing Prize 2025, awarded by the Daniel and Florence Guerlain Contemporary Art Foundation in France.
Kerry-based artist Laura Fitzgerald has been named a recipient of a 2024 Markievicz Award.
Two hundred works from the 2,535 open-submission entries to the Royal Ulster Academy’s (RUA) Annual Exhibition were selected for showing this year.
News that Limerick City’s International Rugby Experience is closing its doors at the end of the year is a bitter blow to its staff and all those involved in setting it up.
The Glass Society of Ireland’s (GSOI) inaugural Graduate Award for excellence in the medium of glass has been awarded to Evan McKenna from Co Louth
The idea of creating a visitor centre in a working graveyard might seem lacking in taste, but a visit to Dublin’s famous Glasnevin Cemetery will dispel any such feeling.
Swedish-born artist Cecilia Danell is this year’s winner of the €5,000 Merrion Plinth Award.
Creating a woodturned form from uniform six-inch blocks of ash wood was the challenge set to Irish Woodturners Guild’s members
There was a sense of a world in ever-shifting crisis, paired with boundless artistic curiosity, at the 194th Royal Hibernian Academy (RHA) Annual Exhibition
Castletown House, Ireland’s largest and finest Palladian mansion, has lain closed to the public since last September – all because of a dispute about access and parking.
At the 42nd Annual General Assembly of Aosdána, the organisation whose members are honoured for their contribution to the arts in Ireland, Sinéad Ní Mhaonaigh was the sole visual artist to join the ranks.
Representing Ireland at the 60th Venice Biennale, Eimear Walshe (they/them) presents Romantic Ireland, curated by Sara Greavu with Project Arts Centre, Dublin.
The late Helen Comerford was born in Thomastown, Co Kilkenny in 1945 and trained as a sculptor, working with a variety of materials until she used wax as a medium.
