Dianne Whyte’s images elevate the mundane and the overlooked with a sublime grace, writes Stephanie McBride
In much of Whyte’s work a central theme is how spaces are both in a state of flux and overlooked – evoking the haunted calm of a disused institutional building (her ‘Grange Gorman’ project, 2004-5), or the charged stillness of the trap rooms hidden below theatre stages, or the rejuvenation of the Italian city of Matera (in ‘Utopia: Transpose’, a work in progress). This latest project, for which she received the dlr Visual Art Commission, takes her into fresh terrain – the need to ‘work photographically to avoid ending up with a series of images of mundane building sites and half-built office blocks’.
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Isabella Evangelisti visits the MAC in Belfast, where the work of selected painting graduates from Belfast School of Art is on show
