Stephanie McBride meets Dominic Turner whose art photography is created with a finesse reminiscent of a bygone age
‘ I don’t think a photograph on a phone or computer screen has ever taken my breath away,’ says Dominic Turner, ‘but an original Ansel Adams print I saw up close a few years back was mind-blowingly good, even after all the hype.’ While Turner acknowledges influences from 19th-century Pictorialism, he steadfastly retains his own style and vision and is passionate about the materiality of film and printing. ‘The digital age of photography has paradoxically engendered an even narrower view of what a photograph should be,’ he says, for all the apparently limitless post-production possibilities and digital sheen of the pixel universe.
Joseph McBrinn charts the history of Evie Hone’s Tullabeg windows, which illustrate scenes from the life of Christ
Brian Fallon remembers a modest exhibition that began a love affair with the work of Harry Kernof
Síghle Bhreathnach-Lynch remembers a leading member of the Celtic Revival, artist Mia Cranwill
