Genesis

Lynsay-Erin Mercer’s careful and meticulous process mirrors the consideration and depth of her conceptualisation, writes Isabella Evangelisti


Genesis
Writer

Artist

Back to this Issue

Category
Sculpture

Share

After ten consecutive years exhibiting her work at the Royal Ulster Academy (RUA) Annual Exhibition, Lynsay-Erin Mercer was awarded the bronze medal for her innovative ceramic sculpture last year. This is unsurprising, as Mercer produces exquisitely made, multilayered work that elicits a strong response from the viewer. Mercer lives and works in Belfast, where her art practice is augmented by teaching art and design in workshops and tutorials. Her own training was in architecture, which she studied at the Liverpool School of Art and Design at John Moores University, having completed her studies at the Belfast School of Art, Ulster University. It is an architectural approach to her practice that lends her work its strong formal quality. She has exhibited widely throughout the UK and an earlier piece, Biomes, is in the collection of the Arts Council of Northern Ireland.

To read this article in full, subscribe or buy this edition of the Irish Arts Review

More from the Spring 2024 edition

Coders of the zeitgeist

Coders of the zeitgeist

What is urgent for artists working in Ireland? Sarah Kelleher explores the RDS Visual Art Awards at the Irish Museum of Modern Art


Preview Article
Backstage with O’Casey

Backstage with O’Casey

John P O’Sullivan surveys Mick O’Dea’s paintings of characters from the playwright Seán O’Casey’s plays


Preview Article
Bird’s-eye view

Bird’s-eye view

There is a confidence about Mollie Douthit’s practice, which is slow and considered, writes Margarita Cappock


Preview Article
Shopping cart0
There are no products in the cart!
Continue shopping
0