Ann Wilson explores Harry Clarke’s only stained-glass windows in Kerry, which feature fairytale elements unusual in a religious setting
David Caron meets stained-glass artist Phyllis Burke, who tells him, ‘a sculptor’s medium is stone, wood or metal, a musician’s is sound, a glassblower’s is glass – but a stained-glass artist’s medium is light, and glass is their tool’
David Caron examines AE Child’s masterwork, his stained-glass window for the Dublin Unitarian Church on St Stephen’s Green
David Caron reveals Murphy Devitt Studios’ The Four Horsemen of the Apocalypse windows in Newbridge College Chapel, Co Kildare
Of Harry Clarke’s four windows for Dowanhill’s chapel, The Coronation of the Blessed Virgin is arguably the finest in terms of composition and ambition and, fittingly, the window remains in Scotland – the only one to do so, writes David Caron
The legacy of stained-glass artist Helen Moloney is in the vibrancy of her colours and her use of coloured glass and lead lines in an abstract manner, writes Bart Felle