Aidan Dunne visits the survey exhibition of painter Richard Gorman at the Hugh Lane Gallery
Dublin artist Francis Matthews manages to give the impression of reality without becoming enmeshed in itemising endless physical detail, writes Aidan Dunne
Paddy Graham is warily self-critical as an artist, a quality that, while not unusual, is by no means universal, writes Aidan Dunne
Aidan Dunne examines the richly textural grid-based paintings of Denis Farrell, finding work of great temporal depth
Ahead of her touring exhibition commencing at the Highlanes Gallery, Diana Copperwhite talks with Aidan Dunne
Working between the north Mayo coast and his Dublin studio, the landscape in Eddie Kennedy’s paintings is invariably a stepping stone to something else rather than an end in itself, writes Aidan Dunne
Photographer and filmmaker Martin Healy tells Aidan Dunne how there’s something magical in using an analogue camera, ‘an alchemy’
The RHA’s exhibition indicates that the term ‘abstract’ now encompasses a broad church of artistic endeavour, writes Aidan Dunne
Peter Murray discovers that nature, culture and science intersect in the work of George Bolster
Aidan Dunne talks to painter Martin Mooney about his career and the development of his work
Though best known for his landscapes and portraits, Blaise Smith has been painting still lifes for more than two decades and, writes Aidan Dunne, they are among his most personal and speculative works
I’m always looking for an elemental quality,‚’ artist David Smith tells Aidan Dunne
Aidan Dunne considers the work of four artists, whose paintings are on view in the atmospheric space of Rathfarnham Castle
Aidan Dunne discovers how artist Ursula Burke uses the Classical tradition to reveal problematic and troubled realities
Aidan Dunne finds in the paintings of Anita Shelbourne subjects woven into the very fabric of environment
‘I suppose my approach to painting is very much a classical one,’ Maeve McCarthy tells Aidan Dunne as she reflects on her personal style
Genieve Figgis tells Aidan Dunne she likes to work in a way that leaves room for the unexpected to happen