Julian Campbell finds that sculptor Peter McTigue’s traditional methods belie a resolutely Modernist vision.
Julian Campbell outlines the expressive, emblematic ways in which artists have been drawn to the wild and rugged Atlantic landscape
Julian Campbell regards the work of Thomas Alfred Jones, whose watercolours of women deserve renewed attention
The collection of 19th century stereo negatives of the Gap Girls of Dunloe in Kerry comprise a rare and unique body of work, writes Julian Campbell
Thomas Moore’s works influenced visual artists throughout Europe and beyond, writes Julian Campbell