Joy Gerrard uses media images to re-image and memorialise crowd events, writes Margarita Cappock
Pascal Ungerer’s peripheral landscapes evoke a sense of silence and isolation , writes Margarita Cappock
Margarita Cappock and Hannah Baker review works from the oeuvre of artist Sarah Cecilia Harrison
John Noel Smith’s journey continues with an enlivening sense of momentum, writes Margarita Cappock
Margarita Cappock examines how Ailbhe Ní Bhriain’s work with computer-generated imagery and collage invokes a feeling of dislocation in the viewer
An exploration of the nature of line and time are fundamental to Brian Fay’s practice, writes Margarita Cappock
Chekhov, Vonnegut, Murakami and Swift inspire the work of Natalia Black and prompt her imagination, writes Margarita Cappock
Joanna Kidney’s work has an abstract quality and a poetic sensibility, writes Margarita Cappock
There is a confidence about Mollie Douthit’s practice, which is slow and considered, writes Margarita Cappock
Margarita Cappock visits painter Bernadette Kiely at her home and studio in Thomastown, Co Kilkenny
Margarita Cappock views works from Ann Quinn’s mid-career retrospective at Letterkenny’s Regional Cultural Centre