Maud Cotter’s sculptures loom large without being monumental, writes Sarah Kelleher ahead of the artist’s exhibition at Limerick City Gallery of Art this autumn
Employing film, collage and sculpture, Mary-Ruth Walsh considers the ways in which the complex psychological investment in skin is mirrored in the built environment, writes Sarah Kelleher
Roseanne Lynch’s images are an engagement with the act of seeing and the experience of light and space, writes Sarah Kelleher
Sarah Kelleher considers how Aoife Layton’s highly theatrical compositions underscore our uneasy relationship with the natural world
What is urgent for artists working in Ireland? Sarah Kelleher explores the RDS Visual Art Awards at the Irish Museum of Modern Art
Vivienne Roche’s approach is formally beautiful and seemingly straightforward in its address, but opens onto profound and unsettling ideas about time, loss and persistence, writes Sarah Kelleher
This year’s graduates demonstrate acuity and sensitivity when grappling with the complexities and instabilities of the contemporary, writes Sarah Kelleher
The strictures of this strange period have galvanised an inventive, even joyous resourcefulness, writes Sarah Kelleher
As whole-scale systemic change seems inevitable, the qualities a degree in art, design or architecture demands of and fosters in students are invaluable, writes Sarah Kelleher