Volume 36. No. 3

Autumn 2019


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Autumn 2019

Featured Articles

Sophisticated Primitive

Sophisticated Primitive

It becomes increasingly clear that Nano Reid was ahead of her time and milieu, writes Brian Fallon



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Multiplicity

Multiplicity

Caoimhín Mac Giolla Léith meets painter and sculptor Marcel Vidal

 


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Unapologetic protagonist

Unapologetic protagonist

Amanda Doran luxuriates in the painted medium and celebrates the character of those she paints, writes Ingrid Lyons


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Drawing the Line

Drawing the Line

Felicity Clear’s work shows its tangential relationship to modernist visions of utopia, writes Francis Halsall


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The width of Yourself

The width of Yourself

Artist Eamon Colman reveals the lure of art and landscape from an early age to John P O’Sullivan


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Graduates 2019

Graduates 2019

The class of 2019 redefines what characterises visual culture today through their individual practices, writes Paul Caffrey


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Alchemy of shadows

Alchemy of shadows

Using satellite imaging, photographer David Thomas Smith echoes the Arecibo radio message transmitted into deep space forty-five years ago, writes Stephanie McBride

 


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Shifting Angles

Shifting Angles

‘I knew from the age of three what I wanted to do,‚’ sculptor Carolyn Mulholland tells Brian McAvera

 


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In the Mind’s Eye

In the Mind’s Eye

Due to Camille Souter’s versatility as a painter, her paintings can be difficult to define, writes Garrett Cormican


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Restored splendour

Restored splendour

The historically important Doneraile Court in north Cork has opened its doors to the public following an extensive conservation and renovation project, writes Peter Pearson

 


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A Man for all Seasons

A Man for all Seasons


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Reckitt’s Blue & Red Raddle

Reckitt’s Blue & Red Raddle

In a society where two pennies would look down on a ha’penny, the Henrietta St tenements were considered quite ‘posh’, writes Danielle O’Donovan


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Egan’s Irish Harps

Egan’s Irish Harps

John Egan’s Portable Irish harp became the archetypal Irish harp, writes Nancy Hurrell


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Front Matter Autumn 2019

Front Matter Autumn 2019


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Flanntasmagoria!

Flanntasmagoria!

Christian Dupont probes the interplay of literary and visual arts in an exhibition inspired by Flann O’Brien and The Third Policeman.


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Education

Education

Gerry Walker discusses the NCAD – strategy for the future


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Design Portfolio

Design Portfolio


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Sinéad Brennan

Sinéad Brennan

Sinead Brennan by Róisín de Buitléar


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Architecture

Architecture

Emmett Scanlon looks at the award-winning work of architect and teacher Robert Bourke


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Curator’s Choice

Curator’s Choice

Fiona Kearney selects Anatomy of Chaos IV by Miriam de Búrca from the University College Cork art collection


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