Art critic Brian McAvera and artist Liam Belton recall the life and work of painter Michael Cullen
Sculptor Eilis O’Connell uses digital technology to show her work in an experimental and groundbreaking way, writes Jennifer Gof
Cristín Leach looks at Maeve McCarthy’s new paintings as she prepares for her forthcoming exhibition at the Molesworth Gallery
Stephen Brandes always subverts earnestness with the sardonic, mordant and mischievous wit that permeates all of his work, writes Francis Halsall
In a time when ‘visual culture‚’ can mean ‘words‚’, Jonathan Hunter continues to find rich possibilities in an insistently visual painterly language, writes William Gallagher
As whole-scale systemic change seems inevitable, the qualities a degree in art, design or architecture demands of and fosters in students are invaluable, writes Sarah Kelleher
Influenced by his travels, David Dunne’s work has been a deep and profound study on honouring sites of rupture, writes Mike Fitzpatrick
Robert Armstrong talks to Brian McAvera about his varied body of work and his pathway from graphic design to landscape painting
James Fraher’s black-and-white images of Derrinlough Briquette Factory document the manufacturing process, from gathering the turf to the distribution of the polished bales, writes Stephanie McBride
James Gorry recalls the unique life and work of semireclusive painter Jeremiah Hoad, who quietly pursued his ‘gentle art’
Terence Reeves-Smyth explores the eccentric history of this charming country house as it celebrates sixty years of public access
The collection of 19th century stereo negatives of the Gap Girls of Dunloe in Kerry comprise a rare and unique body of work, writes Julian Campbell
The National Museum of Ireland’s up-coming Glendalough exhibition includes items that have come to light in the valley and its environs over the last two or three centuries and which have never been seen in public before, writes Matthew Seaver
Flannagan was ecstatic about his first encounter with Ireland and particularly the abundance of different stones lying in the fields in Connemara, writes Paula Murphy
Christian Dupont applauds typographer, designer and letterpress printer Jamie Murphy, founder of The Salvage Press
Brian Walsh selects the jacket worn by William of Orange during the Battle of the Boyne
Drawing is at the heart of Inga Reed’s working process, but she is also fundamentally interested in and curious about the structure of things.
