Ann Wilson explores Harry Clarke’s only stained-glass windows in Kerry, which feature fairytale elements unusual in a religious setting
‘I suppose my approach to painting is very much a classical one,’ Maeve McCarthy tells Aidan Dunne as she reflects on her personal style
Akihiko Okamura’s photographs show people persisting with some semblance of routine during wartime, when the unreal and absurd invade the everyday, writes Stephanie McBride
Liam Belton recalls the protests in the National College of Art between 1967 and 1971 that led to the formation of an autonomous board to oversee the running of the college. These developments, along with other major events of the period, are encapsulated in his artwork Homage to Paint and Protest
At a time when men dominated the profession, Mildred Anne Butler achieved parity as an artist with her distinguished male contemporaries, writes Tom Duffy
The politics of identity and the fashioning of the self emerge as strong themes in the 2024 graduate shows, writes Niamh NicGhabhann
Launched in 2014, the New Generation Gallery supports the work of art and design students, as they take the next step in their artistic careers. This is a unique initiative that provides the only FREE platform for the work of all BA and MA graduating students, working in painting, fashion, film, ceramics, design, print, sculpture, animation, photography, architecture, and visual communication from institutions around Ireland.
The idea of creating a visitor centre in a working graveyard might seem lacking in taste, but a visit to Dublin’s famous Glasnevin Cemetery will dispel any such feeling.
Swedish-born artist Cecilia Danell is this year’s winner of the €5,000 Merrion Plinth Award.
Creating a woodturned form from uniform six-inch blocks of ash wood was the challenge set to Irish Woodturners Guild’s members
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