Peter Pearson visits Marlay House, at the foot of the Dublin Mountains, which was opened to the public fifty years ago
Stephanie McBride appraises photographs of the West of Ireland by American photographer Helen Hooker O’Malley
Anita Groener tells Aidan Dunne about the enduring concerns of her work, in which she is ‘always trying to bring things together and hold them together’
Joseph McBrinn examines one of the most fascinating partnerships in Irish art history
A Surrealist influence is evident in With Tomorrow, where the use of the Rückenfigur – a person seen from behind – dominates and where the surrounding space creates a tense and intriguing setting, writes Róisín Kennedy
From the outset, Rachel Joynt’s work has been characterised by a sense of the infinite and the immediate, writes Peter Murray
Peter Pearson visits Marlay House, at the foot of the Dublin Mountains, which was opened to the public fifty years ago
Stephanie McBride appraises photographs of the West of Ireland by American photographer Helen Hooker O’Malley
The New Generation Gallery is now in its tenth year and aims to support the work of all BA and MA graduating students in Ireland as they take their next step in their artistic career. This is a unique initiative that provides a free platform for the work of all BA and MA graduating students in Ireland, working in painting, fashion, film, ceramics, design, print, sculpture, animation, photography, architecture, and visual communications from colleges across the country.
The 2023/2024 Irish Arts Review Price Guide to Irish Art Sales is available now!
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