The Irish Arts Review is deeply saddened to learn of the unexpected death of master craftsman Liam Flynn. Just last summer Irish Arts Review reported on the much admired woodturner’s plans to present at two seminars, one in Atlanta, Georgia and closer to home in Limerick. The Abbeyfeale maker’s signature work is marked by elegance and restraint, qualities that stem from his singular focus on transforming utilitarian objects into sculptural form. The grain of his material of choice, oak, is artistically exploited to harmonise with the line of the overall form. Examples of Liam Flynn’s designs can be seen in the collections of the Victoria and Albert Museum, London, the Fitzwilliam Museum, Cambridge and the National Museum of Ireland. Previous features on Liam Flynn include, Eleanor Flegg ‘Liam Flynn Standard Setter’, Irish Arts Review, Autumn 2004, p. 151 and Roger Bennett ‘Liam Flynn Past and Present’, Autumn 2011 p. 124.
Read Susan Rogers’ article on visiting Liam Flynn at his County Limerick Studio.
Photography’s power to influence our perception of the natural world and its fragility has been gaining impact with the rise in awareness of climate change.
Touring Ireland over the past six months, ‘The Reason of Towns’ celebrates the design qualities of Irish towns and aims to motivate people to choose them as a place to live.
The winner of the 2024 RDS Taylor Art Award, given to the most promising emerging visual artist of the year in Ireland and worth €10,000, is Sorcha Browning.
